As part of the Kennedy Center’s ‘EARTH to SPACE: Arts Breaking the Sky’ festival, artist Cai Guo-Qiang will create a large-scale sky painting that combines projections, fireworks, and artificial intelligence, titled “Interspecies Love Letter,” aiming to transcend politics and offer a vision of creative openness beyond Earth.
As part of the Kennedy Center‘s ‘EARTH to SPACE: Arts Breaking the Sky‘ festival, artist Cai Guo-Qiang will create a large-scale sky painting that combines projections, fireworks, and artificial intelligence. The work, titled ‘Interspecies Love Letter,’ aims to transcend politics and offer a vision of creative openness that stretches beyond Earth.
A Universal Story
Cai‘s practice explores the creative potential of gunpowder, an ancient medium deeply rooted in traditional Chinese art forms. His latest project, inspired by the concept of ‘interspecies‘ – the idea of interconnectedness among species – will pair large-scale projections, spotlights, and daytime fireworks with a custom AI program that lets the audience ‘paint’ the night sky together.
Cai Guo-Qiang is a renowned Chinese artist known for his innovative use of gunpowder in his art.
Born in 1957, he began experimenting with pyrotechnics as a child.
His works often combine elements of installation, performance, and sculpture.
Cai's artistic vision spans from traditional Chinese culture to modern-day societal issues.
He has held numerous exhibitions worldwide, including the Guggenheim Museum in New York.
Cai is also a professor at the City University of New York.
A Cosmic Journey
The work is set to take place over the Potomac River outside the Kennedy Center on March 28. It follows the journey of a satellite named Stella as it searches for extraterrestrial civilizations, paying tribute to the Hubble Space Telescope. Cai hopes that ‘Interspecies Love Letter‘ will inspire reflection on our self-consciousness as part of the cosmos and our shared responsibility toward Earth and society.
Beyond Politics

Cai‘s choice to work with gunpowder has never been expressly political, yet his results inevitably carry significant meaning. He believes that using explosives for creative purposes rather than warfare provides a sliver of hope for our shared human future. The artist’s vision is not just about the performance but also about offering an alternative way of looking at the universe – one that might ensure a more harmonious coexistence and the survival of all beings.
Gunpowder art, also known as pyrotechnic art, is a unique form of expression that combines art and science.
Artists use gunpowder to create intricate designs and patterns in the air, often for decorative or celebratory purposes.
This ancient art form originated in China over 2,000 years ago and has since spread globally.
Gunpowder artists require great skill and precision to manipulate the powder's explosive properties, creating mesmerizing displays of light and color.
A New Perspective
Cai Guo-Qiang‘s works often demand a shift in perspective, inviting viewers to reconsider our place within a broader cosmic system. The ‘EARTH to SPACE‘ festival is an open invitation to explore this new frontier. As Cai said, ‘When gazing at the starry sky and pondering the universe’s origins, I often recall Buddha’s teachings.‘ The artist hopes that his work will inspire us to find synchronicity with the cosmos and discover answers within the awareness of the present moment.
Siddhartha Gautama, known as the Buddha, was born in ancient India around 563 BCE.
He renounced his royal life to seek enlightenment, studying under various teachers before achieving Nirvana at age 35.
The Buddha's teachings emphasized the Four Noble Truths: suffering, its causes, cessation, and the path to end it.
His Eightfold Path emphasizes mindfulness, meditation, and non-violence.
With over 2,500 years of influence, Buddhism has spread globally, with millions following his teachings.
A Glimpse into the Future
With ‘Interspecies Love Letter,’ Cai Guo-Qiang is pushing the boundaries of artistic expression, inviting us to join him on a journey through space and time. The work will be part of the Kennedy Center‘s festival from March 28 through April 20, 2025.